commendable 3 dimensionality of the project. architecture and urbanism are 3 dimensional so this is a fascinating beginning to something. the staticness of the representation of the films make it quite difficult to access the information. for example, why are they 15 cutouts frames for unfinished sympathy [not symphony] as opposed to 17 for protection? does this have to do with time? why are some of the frames blank? the journey frames are more interesting and communicative because they fall away like dominoes depicting, i guess, direction. the project could have gained strength if the author used a flipbook method. the frames could be animated. this would have lent the project more of a narrative giving it more of a flowing storyline than a static one. more work and more layering required to stretch and go beyond satisfactory work.